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Drill music, also known as drill rap or simply drill, is a subgenre of music with sonic origins in and lyrical origins in . It began in , Illinois in the early 2010s. Drill is noted for its ominous, nature, often including references to gang rivalries and various incidents, sometimes , although the subgenre is thematically broader. Drill artists often address authentic, real-life conflicts, at times incorporating artistic expressions such as bravado, taunting, or mockery.

Early drill artists are typically noted for their associations with crime in Chicago, especially with the and Gangster Disciples. The genre garnered mainstream attention in 2012 following the success of pioneering like , , , , , , King Louie, , and producer . Other rappers, such as Lil JoJo, S. Dot, Edai, L'A Capone, RondoNumbaNine, Lil Mister, SD and producers Smylez and Leek-E-Leek also contributed to the early drill scene. Additionally, DJs including DJ Kenn Aon and DJ Hustlenomics were conducive to the subgenre's early growth. Female rappers such as Sasha Go Hard, Katie Got Bandz, and the group Pretty N Pink developed the distinctive feminine style of drill music.

Drill music saw a resurgence in the mainstream during the late 2010s and early 2020s with artists such as , , and a revamped . By the 2020s, drill's popularity spread globally, with the in 2021 describing drill as "the sound of the global youth". The scene emerged in the mid-2010s, leading to the prominence of artists such as 67, , CGM, and Skengdo x AM. UK drill subsequently influenced regional scenes in Europe and America, including , which gained mainstream popularity in the early 2020s with artists like and . Drill scenes have been noted in such locales as Ireland, Australia, , , Uganda, Denmark and .

The subgenre's controversial nature has stimulated discussion. Public debate about the implications drill rap has raged, while some authorities, elected officials, and commentators in the UK and America castigate the genre and its artists, claiming that drill rap catalyzes real world violence. On the other hand, it has been counterargued that drill illuminates harsh societal realities, resonating closely with the disenfranchised youth audience, and that artists are within their right to self-expression. Attempts at curtailing the subgenre, including deleting posted music videos, blockading performances, and legalizing song lyrics as criminal evidence, have been put in practice in the UK and America, generating further controversy.


Characteristics

Lyrics
Drill lyrics tend to be adversarial and , sometimes with a "combative energy". s Lucy Stehlik said, "Nihilistic drill reflects real life where its squeaky-clean hip-hop counterparts have failed." Drill lyrics strongly contrast with the subject matter of earlier Chicago rappers and contemporary mainstream hip hop which at the time of drill's emergence tended to glorify and celebrate a rise to wealth.

Drill lyrics typically reflect crime on the streets, and tend to be gritty, violent, realistic, and . The Philadelphia Inquirer describes drill lyrics as "celebrating violence" and that the songs "often explicitly describe shootings, mock victims, and taunt enemies". According to DJ Drewski of Hot 97, "That's what started the whole New York drill scene was if I beef with you, or if I got a problem with you, I'm gonna say it on this record". In drill lyrics, the term "opp" or "opps" (an abbreviation of the word "opposition") is frequently used to refer to enemy gang members and rivals. Drill rappers use a grim, deadpan delivery, often filtered through , influenced by the "stoned, aimless warbling of (one of the earliest non-local Keef collaborators) and before him." Atlanta-based rappers and Waka Flocka Flame were important influences on the early drill rappers.


Production
The states that "Whereas trap, the Atlanta-born rap style that dominated hip-hop for most of the 2000s, is often rhythmically rigid – with a snare falling on the third beat of each bar – drill moves to skippy, syncopated hi-hat patterns echoing the rapid fire of a ".

The Guardian called drill production style the "sonic cousin to skittish footwork, southern-fried hip-hop and the 808 trigger-finger of ." is frequently identified by critics as the genre's most characteristic producer. The sound of trap producer Lex Luger's music is a major influence on drill, and Young Chop identified , , and as important precursors to drill. Chicago drill is traditionally characterized by synth brass and bell melodic elements, use of the crash cymbal, and busy snare drum patterns.

production, which is commonly utilized in , is characterized by a faster BPM, 808s "slides," and more syncopated drum rhythms—including the use of a sped-up tresillo rhythm in the hi hat patterns.


Artistry
Drillers tend to be young; many prominent musicians in the scene started getting attention while still in their teens. One of the genre's most prominent musicians, , was 16 when he signed a multi-million dollar record contract with , and in an extreme example, Lil Wayne co-signed the 13-year-old driller Lil Mouse. Critics have noted drill rappers' lack of concern with metaphor or wordplay. Chief Keef said that his simplistic flow is a conscious stylistic choice: Whet Moser of Chicago Magazine wrote that Keef's songs are "lyrically, rhythmically, and emotionally diminished, which is why they sound so airless and claustrophobic ... It's not even fatalistic, because that would imply a self-consciousness, a moral consideration, that isn't there in the lyrics. It just is, over and over again." A profile on the scene in The New York Times examined the genre's aggression:


History

Early drill
David Drake of Complex said drill is not defined by any particular production style, but "is about the entirety of the culture: the lingo, the dances, the mentality, and the music, much of which originated in 'Dro City', a gang-defined territory of city blocks in the Woodlawn neighborhood."

In street slang, "drill" means to fight or retaliate, and "can be used for anything from females getting dolled up to all out war in the streets." Dro City rapper Pac Man, considered the stylistic originator and forefather of the subgenre, is credited as the first to apply the term to the local hip hop music. Pac Man's 2010 track, "It's a Drill," is the first instance of the term being connected to the genre.

Regarding drill rappers' use of early , musician stated that Drill rappers "understood in a way that I believe goes unremarked in terms of their genius and their ability to use social media to garner large audiences".

Rapper Drake described the drill scene as a major vehicle of the early 2010s rise of Chicago hip hop, and described the scene as a movement that had incubated in a closed, interlocking system: on the streets and through social media in a network of clubs and parties and amongst high schools. Drill developed on the South Side of Chicago, in the midst of escalating violence and a homicide crisis. Mark Guarino wrote for Salon that the music grew during "a shift from historic feuding between monolithic crime organizations controlling thousands of members each to intrapersonal squabbling and retaliatory conflicts among smaller hybrid groups whose control extends just a few blocks... The toughened reality of living in these neighborhoods is what shaped Drill music." In the drill scene, rap conflict and gang conflict overlap, and many of the young rappers come from backgrounds with experience of violence. s Sam Gould wrote that Chief Keef "represents both a scary strain of current hip hop culture and a seriously alienated group within American society."

was a platform for many drill rappers to release their music videos on, and ultimately significantly contributed to the genre's popularity. Chief Keef is considered the primary progenitor and popularizer of drill music, responsible for bringing it to the mainstream. In 2011 and 2012, he recorded multiple singles, including "", "I Dont Like" and "Bang", which became viral hits, and was subsequently offered a deal from Interscope Records. Around the same time, King Louie, another drill rapper, was given a record deal from .

By late 2012, rappers from other scenes and hip hop stars like , Drake and were collaborating with drill musicians. Kanye West remixed "I Don't Like" for the 2012 compilation Cruel Summer as "Don't Like", with features from West, Chief Keef, , and . West cited drill as an influence on his 2013 album , and Chief Keef and King Louie had vocals featured on the album.

New Jersey commentary YouTube channel 'War in Chiraq' played a significant role in presenting the early Chicago drill scene to a wider audience. It had a quarter million subscribers and 94 million views in its first two years.Williams, J. (2022, February 18). Rap and drill music is part of America’s racial problem. Fox News. Akademiks is quoted saying "I’ve done a lot to create narratives and help rappers themselves."Hip-Hop Culture Without Boundaries. (2022, September 28). Chief Keef reacts to DJ Akademiks claiming he made his career. AllHipHop.

A Zae Production was of the leading videographers on the early drill scene. Videographer ZackTV also played a significant role in the exposure of Chicago's early drill scene to a wider audience. The interviews he conducted includes coverage such as Chief Keef's first on-camera interview, along with interviews with artists such as L'A Capone and RondoNumbaNine. ZackTV's work also sparked a media niche of intimate on-scene of the Chicago gangland culture behind the drill music, which had not been done before at the time.Kaufman, G. (2018, May 30). ZackTV1 Founder Zack Stoner Shot, Killed in Chicago. Billboard. 2022 November 3. A Chicago journalist was killed but no one was prosecuted. Court docs show the case may have been solved. Associated Press. Tarm, M. (2019, May 30). YouTube’s ‘ZackTV’ founder chronicled Chicago gang life, but it caught up with him Los Angeles Times. ZackTV was considered a mentor by other gangland reporters in that niche around the country.Tarm, M. (2019, April 18). Slaying of ZackTV unnerves Chicago gangland reporters - Chicago Sun-Times.

Drill's subject matter strongly contrasts with that of earlier Chicago rappers such as , , , , and The Cool Kids.

Older Chicago rappers have been mixed in their reaction to drill's popularity and violence. In a radio interview, rapper Lupe Fiasco said "Chief Keef scares me. Not him specifically, but just the culture that he represents ... The murder rate in Chicago is skyrocketing, and you see who's doing it and perpetrating it—they all look like Chief Keef." After Chief Keef threatened Fiasco on Twitter, Fiasco said he was considering quitting the music scene. Rhymefest tweeted that drill is "the theme music to murder."

Chief Keef's debut album, "", released on Interscope Records in late 2012, was subsequently described as a "classic" album in the genre.October 25, 2017. Juelz Santana Says Chief Keef's 'Finally Rich' Is A 'Classic.' KollegeKidd.Com. Despite the warm critique, "Finally Rich" sold an underwhelming 50,000 units in the first week, which resulted in record labels subsequently overreacting, deeming it a "fad".


Drill expansion

UK drill
While Chicago drill rap saw a decline in mainstream popularity after 2012, a new scene was emerging in the UK and by the late-2010s was gaining mainstream popularity, spreading across Europe, influencing the creation of drill scenes around the continent. is a subgenre of drill music and that originated in the South London district of from 2012 onwards. Borrowing heavily from the style of Chicago drill music, UK drill artists often rap about violent and hedonistic criminal lifestyles. Typically, those who create this style of music are affiliated with gangs or come from socioeconomically deprived neighborhoods where crime is a way of life for many.

The Guardian writes that "Born in Chicago, a city whose black population, like London’s, has arguably been left to fend for itself and descended into violence, drill was initially a cold, bombastic style of gangsta rap. Its biggest breakout star was arguably Chief Keef, famous for his 2012 track I Don’t Like. The style filtered over to the UK, and was picked up by a young generation MCs keen to define themselves away from the of an older generation. While other corners of black British music have explored African pop and , resulting in the lascivious and relatively carefree “” and “” styles, drill has looked to the US, and the tales of violence that have been a feature of rap there since the 90s."

UK drill music is closely related to road rap, a British style of gangsta rap that became popular in the years prior to the existence of drill. Musically, UK drill often exhibits violent language and provocative lyrics. UK drill music evolved its own distinct style of production compared to Chicago drill with UK drill group 67 often credited for shifting the sound away from the Chicago influences it seemed to heavily draw inspiration from in its early days and foundation and for forming a more homegrown sound, with LD – a member of 67 – being named as the godfather of UK drill.


Brooklyn drill
The mid-2010s saw the emergence of Chicago-influenced artists such as and , while the late 2010s saw the emergence of new prominent drill artists from Brooklyn such as , , , and 22Gz.

Later Brooklyn drill production is heavily influenced by UK drill (the latter of which brings production influences from grime and ) with artists such as Fivio Foreign, Sheff G, Smoove'L, Bizzy Banks, 22Gz, and Pop Smoke collaborating with UK drill producers such as 808Melo, Yamaica Productions, Yoz Beats, Tommyprime and AXL Beats. Pop Smoke's song "Welcome to the Party", produced by 808Melo was a prominent release in 2019 and saw remixes from , and British MC . Sheff G's "No Suburban" (released in 2017) and 22Gz's "Suburban" (released in 2016) have been credited for bringing attention to later .


Controversy and debate
Brooklyn and Bronx drill artists who were victims of violence include TDott Woo, , 18-year old Chii Wvttz, 14-year old , 17-year old Jordany Aracena, Nick Blixky, , and Nas Blixky (the latter two surviving the shootings against them). Brooklyn and Bronx drill rappers charged with violent and gang related crimes include and , C Blu, , Nay Benz, and . The 2020's spate of gang violence and the rise of drill rap in New York City led some authorities, including New York City mayor , officers with the New York City Police Department, and Brooklyn district attorney Eric Gonzalez, to view drill rap as fuel for New York City's gang violence. District Attorney Gonzalez stated in 2022 that there were "a number of shootings in Brooklyn recently that are directly related to drill ... These drill rap videos are causing young people to lose their lives. It's not that the music is the cause of the violence, but it's fueling the desire to retaliate". Brandon Terry, an associate professor of at Harvard University, commented that "Elected officials like Mayor Eric Adams in New York have described drill music as a kind of devilish bargain, where and social media companies accelerate and gang violence for profit". In September 2022, the NYPD ordered the removal of local drill artists from the festival, due to concerns of public safety and fears that the rappers would incite violence, which led to criticism from labels such as , who said they believed mentorship for their artists was key in keeping them from crime.

Erik Nielson, co-author of the 2019 book "Rap on Trial: Race, Lyrics, and Guilt in America" told ABC News that drill music’s "primary connection to violence is artistic and creative" and that the music provides for rappers "a way out of the violent neighborhoods that they chronicle." Jabari Evans, a professor of race and media at the University of South Carolina, noted that drill artists have a right to self-expression, stating "it's easy to make drill a scapegoat," but that "in reality, the situations, the spaces, places, and problems that existed in certain communities existed far before drill". Prominent Brooklyn drill rapper stated in defense of the genre, "It’s not the music that’s killing people, it’s the music that’s helping n----- from get out the hood".

Jonathan Ilan, senior lecturer of at London’s City University, argued against censuring UK drill, writing in The British Journal of Criminology that drill rappers exaggerate and fabricate violence in their lyrics. He wrote that "This is not to deny that crime and violence take place involving drillers as either victims or perpetrators – rather, it emphasises not to view the violence as directly related to, caused by or evidenced by the music". He further stated that efforts to criminalise drill marginalised communities, "ultimately exacerbating the conditions which lead to urban violence in the first place". American professor of at Stanford, , made similar remarks, cautioning that "villainizing drill music gives the carceral system ammunition against young Black men", such as authorities issuing additional criminal charges against rappers for having in a video.

Drill has been criticized by rappers such as and Dee-1, the latter stating in a public forum about drill music, "As a consumer, you have the choice to literally support whatever it is that you would like to see more of ... If you truly want to see your conditions change, as an artist you have a choice to say, 'I might have to sacrifice some popularity or some paper for the sake of putting out content that is actually and conducive to a better world around us.'"

Some rappers noticed that their music received more attention and streams from hip-hop fans after incorporating disses against deceased rivals into their music, and some drill music has gone after incorporating such disses. The Philadelphia Inquirer reported that teen drill rappers in "fueled by the pursuit of fame and money ... came to believe the formula to success was to dis the dead. Shocking lyrics about violence, they learned, drew hundreds of thousands — sometimes millions — of listeners to their songs". In some cases, the rappers did not know or had never met the rivals that they dissed. Several progenitors of drill, including rappers Lil Durk, and Chief Keef, have distanced themselves from or have discouraged the practice of dissing deceased rivals in drill music.

In response to deaths and crime arising out of the Brooklyn and Bronx drill scene, in early 2022 a number of prominent New York DJs and music influencers, including DJ Drewski at , , of "Ebro in the Morning" on , , and 's DJ Gabe P either vowed to stop playing drill and diss records or re-iterated their refusal to play such content.

Some mothers of victims dissed in drill songs have publicly commented about feeling frustration and pain after hearing their sons being disrespected in drill songs, and some have called for an end to the violence and justice for their sons. These include the mother of Shondale "Tooka" Gregory, a Chicago teen and alleged member of the Gangster Disciples who was killed in 2011, and was subsequently mocked in the music of rappers Chief Keef, Lil Durk, and King Von. Gregory's mother said, "Why? That’s all I have to ask them. What has my son done to y'all to make y'all disrespect him like this? Every song they make has got, 'We smokin' on Tooka' ... You know how long my son has been gone? Since 2011. This is 2022 and he's still a trending topic".

Some French drill artists such as have been in trouble (concerts cancelled, restricted distribution) due to their positions towards slavery, Jews, geopolitical conflicts, terrorism, pedophils, conspiracy theories, sexism and politics.


In popular culture
The 2023 drama series Kold x Windy revolves around two women, played by Sh’Kia Augustin and Nijah Brenea, trying to make it in the violent world of drill music.


See also


Notes

Further reading

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